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This Week in Chick Lit

~ By Melina Kantor

Hi All!

Happy Friday!

Here’s your weekly dose of chick lit news:

1. Here’s an article  from the New York Times on beach reads. What do you think of the author’s take on chick lit?

Even if you wanted retreads of the same old stories, they would be hard to find. Chick lit? SO over. Police procedurals? Done to death. Sweet little cottages on Nantucket? They need renovating.

Discuss amongst yourselves. . .

2. Bridget Jones is turning 15. And what’s this about Helen Fielding tweeting her next novel?

3. This article from the New Yorker raises the question of the relationship between chick lit and romance. Plus, there’s a reference to the Jennifer Egan mess we discussed about right here on the blog.

If you’ve got links to any more chick lit related stories, please share it in the comments.

Have a great weekend and see you next week! 🙂

Melina writes contemporary women’s fiction with a pinch of oregano and a dash of chutzpah. By day, she is an elementary school computer teacher. You can visit her at http://melinakantor.com.

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The Glory of Scrivener

Part 1: What’s the point?

~ By Melina Kantor

I’m not kidding when I say I wrote my first novel on a whim. I’m also not kidding when I say I had nothing better to do at the time. It was November of 2007, and there was this event I kept hearing about called National Novel Writing Month (NaNoWriMo).  I had an idea for a novel, so I figured 50,000 words in 30 days? Why not?

I had a basic outline in my head. I even had a feel for who the protagonist was. So I opened up a fresh document, called it NaNo2007, and started typing.

You could argue that this story has a happy ending – I made it to 50,000 words with three whole days to spare. But the end result was anything but pretty. Yeah, I had some fun, snarky characters and some gripping scenes, but none of that mattered because it was so disorganized the story was impossible to follow.

If you saw the current state of my apartment, you’d be surprised that the disorganization scared me. But that’s beside the point. Writing those 50,000 words involved blood, sweat, tears and unhealthy amounts of caffeine and Cheerios. There was no way I wasn’t going to turn them into something, well, at the very least. . . legible.

Enter Scrivener.

According to their Web site:

Scrivener is a powerful content-generation tool for writers that allows you to concentrate on composing and structuring long and difficult documents. While it gives you complete control of the formatting, its focus is on helping you get to the end of that awkward first draft.

From the moment I downloaded it, I was hooked. Not to mention more than slightly obsessed with creating folders. Here’s a glimpse of what Scrivener has to offer:

I should also mention that I was also hooked on a podcast called Will Write For Wine, hosted by CJ Barry and Lucy March. Episode 33, “On Structure, We Think,” was my first introduction to the classic three act structure and the twelve steps of The Hero’s Journey.

So, I created a folder for each act, and folders within each of those folders for each step of The Hero’s Journey, and cut, pasted, and moved my scenes around like chess pieces. I also had a folder for my research.

In the end, I had 75,000 words that (almost) resembled an actual story. I’d also learned that I’m a plotter, not a pantser, and that yes, you can in fact plot “after the fact.”

By the time I got to NaNo 2008, I had a whole system going. Just look at the folder and notecard system I had for my “cast:”

(For more Scrivener screenshots, click here.)

One of the most important things I learned from Will Write for Wine (and later from Lucy March’s fabulous revision class) is that structure is something a writer uses to hang their story and jokes on. Scrivener is very much like a physical structure  we can use to hang our stories.

If you leave your story on it long enough, things will fall into place and the wrinkles will begin to disappear.

Next time, I’ll be back with tales of my new iPad 2, and how I’m using it in conjunction with Scrivener.

Melina writes contemporary women’s fiction with a pinch of oregano and a dash of chutzpah. By day, she is an elementary school computer teacher (hence the affinity for apps). She lives in Brooklyn with the loudest dog in the world. You can visit her at http://melinakantor.com.

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May PANorama: Female Friendships and Comedy

Dear Readers,

It’s the fourth Monday of the month, which means that it’s time for one of our chapter PAN members (PAN stands for Published Authors Network, a professional designation within RWA open to members who reach a certain level of sales) to visit the blog to share some of their wisdom and expertise.

This month, Maureen McGowen talks about the art of writing about female friendships.

Take it away, Maureen!

Female Friendships and Comedy

~ By Maureen McGowan

The recent release of Something Borrowed and Bridesmaids got me thinking about the way that female friendships are portrayed in Hollywood comedies.

I’ve never understood why, when Hollywood screenwriters are trying to write humor for women, they think the only answer is to have the characters be viciously mean to each other and/or have them act like toddlers fighting over toys.

One relatively recent film that really bothered me was Bridal Wars, with Kate Hudson and Anne Hathaway. I went to this movie hoping for a light 90 minutes of fun and instead I got angry. I get that it was comedy and exaggerated, but to me the idea that these two best friends would get so vicious over a wedding venue was appalling. Not to mention the ways in which they let their fight escalate. Who behaves that way? Throughout that whole movie, I wanted to tell them both to grow up.

Yes, women get jealous of each other. PEOPLE get jealous of each other. And we all sometimes behave in ways we later regret. But I’ve never understood where this stereotype of women attacking other women comes from. As if it’s the default behavior of our gender to claw each other’s eyes out at the slightest provocation. As if we all secretly want each other to fail.

That has not been my experience with any real-life women I have known.

On the other hand, Bridesmaids did an excellent job of portraying a real female friendship and it was funnier than all those catfight movies. Plus, it was genuinely touching. It’s also about a long-term friendship on the rocks, but instead of resorting to catfight territory, the film found a way to make the friendship seem real — you could tell these women love each other, even when things go downhill so far they aren’t speaking.

I think most women can identify with the not-so-commendable but complex emotions that Kristen Wiig’s character experiences in the movie — trying to be happy for her best friend, while feeling jealous and mourning the fact that nothing’s going to ever be the same between them again. I think any woman who’s had a best friend or sister get married, or a friend develop a new friendship that excludes her, or a friend who otherwise moves into a different phase of her life, can identify with the mixed emotions that Kristen Wiig experiences.

Sure, some of the things she does to act out were a tad over the top (it is a comedy) but I totally believed the motivation behind all her actions and it wasn’t over something trivial. It was over their friendship. It was over being hurt. It wasn’t over a room. And a lot of the funniest moments where Wiig is ruining things for her friend, her motivation isn’t malicious; rather there’s a series of unfortunate circumstances. She doesn’t pick that restaurant hoping they’ll all get sick, and when Rose Byrne dopes her up on the plane, she might not have wonderful motivations but I don’t believe anyone expected what happened. Byrne just wants Wiig to stop fall asleep and/or stay away.

Speaking of Rose Byrne, even Bridesmaid’s “mean girl” has a heart in the end and we understand the motivations behind her misdeeds–loneliness.

I wish more movies portrayed female relationships in such a real way and took the time to develop female characters.

To that end, I’d like every female writer reading this to take a solemn oath.

All together: I shall not portray female friendships using blatant negative stereotypes.

What do think? Am I off base here? Was I just in a bad mood when I saw Bride Wars? If you saw Bridesmaids, did you love the friendship between Kristen Wiig and Maya Rudolph as much as I did?

Maureen McGowan is the author of Cinderella: Ninja Warrior and Sleeping Beauty: Vampire Slayer, adventurous fairy tale re-imaginings where the heroines are capable of saving themselves—and get the prince. You can keep in touch with her at www.maureenmcgowan.com , follow her on Twitter or “like” her on Facebook and Goodreads.

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This Week in Chick Lit

~ By Melina Kantor

It’s Friday!

How’s everybody’s week been?

Ready for a nice three day weekend?

Ready for your weekly dose of chick lit news? Well, here it is.

News

1. There was talk of our favorite genre in The Wall Street Journal this week. It’s been ten years since Jennifer Weiner’s Good in Bed became a classic. Find out what she has to say on that topic, and more, in this interview.

2. The recent release of the movie version of Emily Giffin’s Something Borrowed has sparked a lot of talk about chick flicks. We discussed Something Borrowed right here on the blog, but this article explores the transformation of a story from chick lit to chick flick.

Can movie adaptations actually work?

3. Having trouble finding good beach reads for this summer? Well, this article validates that it has, in fact become increasingly harder.

But there’s also some hope:

Rarely, though, do genres just go away. At least not without a fight. Two staunch chick-lit defenders, authors Lisa Steinke and Liz Fenton, who will soon publish an e-book, “The D Word,” have declared May to be International Chick Lit Month. They also have a blog toward that end, chicklitisnotdead.com.

Lisa and Liz go on to explain that:

“Chick lit has evolved from Cosmos and handbags,” says Fenton. “There are divorces, single moms, women making rash decisions.”

Her writing partner put it succinctly. “We’re two girls who believe in a happy ending. If we could say what the definition of chick lit is, it’s a book with a happy ending.”

So, be sure to check out their blog and International Chick Lit Month if you haven’t already.

Have a great weekend! 🙂

Melina writes contemporary women’s fiction with a pinch of oregano and a dash of chutzpah. By day, she is an elementary school computer teacher. You can visit her at http://melinakantor.com.

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Wanted: More Queer Characters in YA Fiction

~ By M-E Girard

When I was in high school, reading could be awesome—as long as there were “awesome” books for me to read out there. Back then, it was horror tales by R.L. Stine and Christopher Pike that kept me flipping pages. There was something so riveting about reading of characters my age (or a little older) who had these amazingly cool lives—sprinkled with a murder or two. The girls were beautiful, cheerleaders, and had quirky best friends; the guys were cool, sexy, and enough bad-boy to be appealing but not too much to border on jerk territory. It never occurred to me that there was anything different out there. These were the quintessential “teenaged tales” and I still have my stack of vintage paperbacks to prove just how relevant this stuff was to me.

Years later (not that many), life started looking a little different to me. My dream bad-boy turned out to be a bad-boi­ (look it up). And then, browsing the shelves of my local Chapters, I happened across a little book called Keeping You a Secret and everything changed. A story about a girl who falls in love with another girl amidst all that teenaged drama playing out in school halls? I was hooked and thanks to Amazon’s handy little feature of suggesting similar titles, my world was opened up to more and more books with stories about gay teens. With authors like Julie Anne Peters and Alex Sánchez, queer characters were suddenly at the forefront and stories took on a new meaning for me.

Where was this stuff when I was a teen? There may have been a book here and there that touched on the subject but the point is: it was nowhere “out there” enough for a teen like myself to get my hands on it. Here we are, ten years later, and I’m still trying to satisfy my inner teen with as many queer YA fiction books I can get my hands on. Now, as a writer, my main goal is to tell stories—all kinds of ridiculous, exciting, sometimes tragic stories—that show the lives of the queer characters living inside my head. More than that, these characters are going to lead my stories. (And I use the word “queer” because I personally think it’s a little edgier and more inclusive of the community than just saying “gay”. The word was reappropriated by the gay community a few decades ago, but still, opinions of its use are divided. I have no qualms about being thought of as queer and if someone objects to it, then substitute it for another in your minds.)

Well into 2011, one might think, Aren’t you a little late taking up this cause? Aren’t gay characters everywhere nowadays? According to Wikipedia, yes, they are. Since 2000, a “flood of such books have reached the market”. Furthermore, “today books have progressed, with gay characters not as stigmatized and separate”. That is evidently true. I can think of many books I’ve read that have at least one gay character. But, those characters are usually secondary. They’re the best friends infused with wit and loyalty; they’re quirky and we all look forward to their dialogue lines and body language descriptions. These days, it’s common to see the teenagers living their exciting stories with a queer friend or two at their side. There is nothing wrong with that in itself and it’s great to see more of us represented in successful novels.

For someone like me—and I’m sure for many queer teens out there—there is still a need for queer main characters. Stories where it’s not just about being the beautiful and straight heroine’s best friend. Where queer characters aren’t getting always their hearts stomped on with rejection during the heroine or—less often—hero’s momentary trip to the “other side”.

There may have been a definite increase in the inclusion of gay characters in fiction but I still hear of writers being asked by publishers to change their characters from gay to straight—especially when talking about main characters. Thankfully, those I’ve spoken with have opted against making the change.

In cyberspace, many are of the opinion that there isn’t much variety when it comes to queer fiction. That may be true, but stories of coming out, bullying, and broken hearts will always be relevant because they’re realities of being gay—especially during those teen years. Personally, I’m a sucker for the hetero teen girl finding herself inappropriately attracted to the rugged boyish lesbian with a killer grin and laid-back swagger.

There needs to be a balance between “gay characters” and “characters who just happen to be gay”—and we have to know the distinction between the two since both are highly relevant. Thus far, we’re used to seeing characters struggle with their homosexuality and stories revolve around their journey through the “queer” complications. These stories, I think, will always have appeal and still need to be told. What we need to work toward are telling stories where the sole focus of gay main characters isn’t only their homosexuality; we follow these characters as they struggle but it’s not necessarily because they’re gay. If you strip away the “gay”, there should still be an interesting character with a captivating story to tell. I believe we’re still a while away from moving toward this and that is because it’s still not okay to be gay in the world. There is still discrimination and double-standards, among other negative aspects. There are fewer lesbians reflected in fiction than there are gay men, and even less books with gay characters of color. And I could keep going and going, but this blog isn’t about that.

For now, we need to arm our queer teens with confidence and acceptance. A relatively easy way to do this is to make these stories available to them. We, as writers, need to pen them and push to get them out there! Stories where they can see themselves showcased, dealing with mountains of complications and heartbreak, or exciting events filled with happiness and victories—anything, really. We need to see teens that shatter the stereotypical ideas of “gay characters” living their fictional lives and show readers out there that being gay isn’t just one thing. It’s not just butch and femme, fairies and gym queens, boys with lisps and girls with mullets and moustaches. These teens need to see themselves reflected in the popular tales of the day, whether we’re talking about vampires, immortals, rich teenaged queens, or zombie-fighting orphans—and more importantly, they need to see themselves in the lead roles.

I had the opportunity to ask an expert on the subject her thoughts on gay characters in fiction. As mentioned earlier, Julie Anne Peters (author of Keeping You a Secret) was my gateway into the world of stories featuring queer characters. I leave you with her thoughts:

I think you can never have too many queer characters in mainstream literature. For too long we’ve been excluded, as if we didn’t exist or contribute to society. The more frequently LGBTQI young people see themselves as featured or peripheral characters in books of all genres, the more validated they’ll feel as human beings living a normal life.

M-E Girard

www.megirard.com

http://www.facebook.com/pages/M-E-Girard/109791279109027

M-E Girard is a registered nurse moonlighting as a fiction writer. A Young Adult Fiction buff, M-E spends most of her time telling tales of teenage angst and happenings of high school halls, with a focus on LGBT realities. She is currently working on her first novel (runner-up in the 2010 Young Adult Novel Discovery Contest) and regularly participates in short story competitions. Her short stories—The Welkin and Limbo—are set to be published in a Canadian anthology in June 2011. M-E lives just outside of Toronto, in Ajax, Ontario, Canada, with her partner-in-crime Melissa and their two Chihuahua babies.

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Men With Broad Shoulders

~ By Maria Geraci

We’re so used to talking about the chick lit heroine, we’ve almost forgotten about the chick lit hero. Because chick lit is all about the female protagonist it’s easy to overlook the central male character in our novels. But he’s there somewhere. Maybe he doesn’t make it to the end of the story in our heroine’s happily ever after, but he’s an integral part of her journey. Whether he’s the reward for the realization our protagonist has to achieve or the hurdle she has to jump over in order to achieve it, our central male characters are very different than their contemporary romance counterparts.

For one thing, our chick lit heroes are real men. They aren’t superheroes (unless maybe you’re writing something like chick lit paranormal). He might be a fire fighter or a cop, but he’s just as likely to be an accountant or a chef or an artist or maybe he’s even out of work. He doesn’t jump tall buildings in a single bound and women don’t fall at his feet when he walks in the room. He might be cute or maybe even handsome, but he could just as well be geeky or only attractive in the heroine’s eyes. He’s more often than not the confidante or best friend or the boy next door. He can be insecure and he makes mistakes.

The one thing our chick lit hero is, is worthy of the strong, funny and smart women we write about.  He may or may not have literal broad shoulders, but he definitely has figurative broad shoulders. He’s the guy we know our heroine can count on to change a diaper in the middle of the night or move cross country to be with our heroine when she lands her dream job.

One of my favorite chick lit heroes is Ethan from Emily Giffin’s Something Blue. He’s intelligent and witty, but he’s been burned in love before and he’s not about to give his heart to someone as mercurial as Darcy. Not until she’s deserving of it, that is.

Another of my favorite heroes is Josh Meyers from the chick lit film Kissing Jessica Stein. If you haven’t seen this film, then run to rent it. It’s funny, highly original, and has some terrific acting. It stars Jennifer Westfeldt as the title character and her real life boyfriend, a younger Jon Hamm of pre Mad Men fame. Plus, it features the yummy Scott Cohen as the broody Josh and Tovah Feldshuh as Jessica’s mother. It’s full of Jewish angst and set in New York City. I cry and laugh every time I see it. It’s also a perfect example of a modern heroine’s journey. It’s not until Jessica grows and changes as a person and lets go of her inner fears that she has a shot with Josh. The beautiful part of this film, is that Josh has the same exact same growth to undergo as Jessica. We just see his growth in a much subtler way. I absolutely love the ending to this movie because it’s not only realistic, it’s funny and full of hope all at the same time.

The next time you read a good chick lit book, look at the central male character and figure out what it is you like about him. What qualities does he possess that make him perfect for the heroine? Then think about the book you’re currently writing. What kind of hero does your heroine need? What qualities can you give him (both good and bad) that will push your heroine toward her necessary growth?

Maria Geraci writes fun, romantic women’s fiction aka chick lit with a happy ending. She has three books published with Berkley, and is currently working on her fourth novel, The Ugly Girlfriend, to be published sometime in 2012. You can visit her website at www.mariageraci.com

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Something Borrowed

The Book Vs. The Movie

~ By Elle Filz

It’s always a tricky process bringing a much-beloved novel to the silver screen.  With the limitations of time (2 hours, unless you’re Peter Jackson), and the overwhelming need to keep the folks who haven’t read the book as engaged as those who have, screenwriters are forced to walk a fine line between telling the story practically word for word (Harry Potters 1 & 2 are a good example of this) and capturing the essence of the story while changing around a few things (Harry Potter 3).  The good screenwriters will come out of this relatively unscathed by the folks who loved the book in question. The great ones will inspire those who haven’t actually read the book to run to their nearest Barnes and Noble.

Jennie Snyder, the screenwriter of Something Borrowed, is neither good, nor great.  In fact, I’m half-wondering if she even bothered to actually read the book at all.  Though Something Borrowed the movie shares the characters and the basic premise (Maid of Honor sleeps with BFF’s fiance and the two realize they’re in love), the rest of Snyder’s screenplay was a heartbreaking farce of Emily Giffin’s hard work. I don’t know what I watched, exactly, but it wasn’t Something Borrowed.

Warning, there are a few spoilers ahead….

My main problem with the movie lies in the presentation of the central concept itself.  Yes, boinking your BFF’s fiancé is wrong, there’s no two ways about it.  However, where Giffin presents a page turner of moral dilemma, Snyder leaves no room for the viewer to even ponder the question.  Snyder is firmly Team Rachel, and does everything in her power to make sure that viewers are beat over the head with that idea right from the start.  How does she do this?  By turning Darcy into an egotistical shrew with no redeeming value, that’s how.

Don’t get me wrong, Giffin’s Darcy is self-centered, too.  However, with Giffin’s Darcy, you get moments of redemption that makes you see why Dex is conflicted about leaving her.  Snyder’s Darcy is just a narcissist.  This is particularly apparent in her relationship with Ethan.  In the book, Ethan is firmly ensconced in London (they combined Ethan and Hillary here, putting him in NYC and giving him the Greek Chorus role) hearing about everything from Rachel’s point of view.  He seems to understand Rachel’s resentment, but it’s also clear he has a soft spot for his old, misguided pal Darcy.   In turn, when Rachel mentions Ethan, it’s clear that Giffin’s Darcy may not be interested in an involved relationship but she has a mild interest in keeping up with him. Though Snyder clearly wrote Something Borrowed with the idea of following it up with Something Blue, she shot herself in the foot by presenting Darcy’s view of Ethan as an annoyance who has to be dealt with rather than the safe haven he eventually ends up being.

Darcy, as presented by Snyder, is such a one-dimensional caricature, Snyder had to invent a reason for Dex to stay with her without looking like he was only into her for one thing. What she comes up with, is a chronically-depressed mother who seems to be “improving” with the excitement of the wedding.  Yes, Dex’s moral dilemma actually boils down to I-love-Rachel-but-if-I-leave-Darcy-Mama’s-going-to-off-herself.

* Facepalm *

Snyder also thought it was funny to change Marcus from a charming Georgetown grad to a stoner-type and Claire into this annoyingly eager little chippy who is totally obsessed with Ethan.  Though Darcy still attempts to throw Rachel and Marcus together, her machinations fall flat in the movie because Rachel is simply too damn smart for Marcus.  On the Ethan/Claire side, they actually resorted to Ethan telling her he was gay to get her off his back (so to speak).  Again, Ethan and Claire as Giffin wrote them, were way too smart to resort to these sophomoric tricks.

What breaks my heart most about this whole thing is that other reviewers (mostly male) have decided that if the movie is based on a book, the problem automatically lies with the source material.  That’s crazy talk.  Anyone who remembers the war between Anne Rice and the producers of Interview with a Vampire over casting Tom Cruise as Lestat knows how little creative control an author actually has when they sell the rights to their books.  I don’t know the details of Emily Giffin’s rights deal, but I do know that she wasn’t listed as a primary screenwriter. That suggests that she didn’t have control over the final product.  To blame Giffin is an insult to her and the millions of readers who love her work.

I wanted to love this movie.  I wanted to put it on the DVD shelf with Bridget Jones’s Diary, the Harry Potters, Clueless, and all the other cinematic adaptations that have lived up to the books I loved before them.  On some level, it was an adorable romantic comedy.  I adore Ginnifer Goodwin and John Krasinksi in anything they do, and it’s always great to see Ashley Wiliams working.  The entire cast did a wonderful job with the material they were given, and the cinematography really does put New York in its best possible light.  With any other title, I probably would have enjoyed it; with the title it had, it was something I borrowed I wish I could have returned.

By day, Elle Filz is an IT geek in Baltimore, MD.  By night, you can either find her singing karaoke or jotting down notes for her next women’s fiction story.  She is also an aspiring Betty Crocker-type who thanks God every day that a fireman lives next door.

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This Week in Chick Lit

~ By Melina Kantor

Well, Chick Lit Fans. . .

What can I say? It’s Friday, which is a good thing.

The bad news? This hasn’t been the greatest week for our favorite genre.

Behold:

First, we’ve got the now infamous interview in which Pulitzer Prize winning author Jennifer Egan used the phrase “derivative, banal stuff” to describe certain works of chick lit. You can read more about that here.

You know, just go to any RWA meeting or conference, anywhere, and most authors will tell you that they will never, ever publicly diss another author. It’s just poor form. We authors are all in this together, and should support each other.

I guess that means that romance and chick lit writers are just extra classy. 😉

And then, there was this horrifying article that proclaimed:

Yet for some reason, agents are encouraging female writers to think about chick lit marketing when writing their first books. I mean, no one is denying that the genre has mass appeal. But you know what else had mass appeal? “Two and a Half Men.” And Hitler.

Excuse me, Drew Grant. You did not just compare chick lit to Hitler. . .

Even the title of the article, Chick Lit Reimagined as Respectable Fiction, is enough to make your head spin without the added subtitle:

We team up with TheGloss.com to find out how to turn that best-selling genre of female writing into real literature

Real literature?

Again, I say excuse me?

However, you can rest assured that the chick lit community remains strong. We’re certainly not taking this lying down. We’re standing up for ourselves on our Twitter feeds, our Facebook pages, and our blogs.

In fact, chapter member and fabulous author Megan Crane (aka Caitlin Crews) posted a fantastic note on her Facebook page. And Jennifer Weiner was all over the Jennifer Egan comment on her Twitter page. We’re in good hands.

So go curl up with a great chick lit book and enjoy the weekend.

(But first, leave us a comment and let us know what you think of all this nonsense.)

See you next week! 🙂

Melina writes contemporary women’s fiction with a pinch of oregano and a dash of chutzpah. By day, she is an elementary school computer teacher. You can visit her athttp://melinakantor.com.

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Interview With Mbali Mbtha

~ Interview By Melina Kantor

Back in February, when I was searching for good chick lit related stories for our Friday posts, a new publishing house, has come out with a line of chick lit books targeted towards South African women. I came across a CNN story about Nollybooks, a new publishing house that has come out with a line of chick lit books targeted towards South African women.

I went to their Web site immediately, and one line caught my eye:

Nollybooks Bookazines ™ is a series of easy-to-read, chic-lit romance fiction titles with South African storylines and characters that reflect the lives and aspirations of the people who will read them.

The idea of a new community of chick lit fans thrilled me, so I contacted Nollybooks to see if any of their authors would be interested in visiting our blog.

Sure enough, three authors were kind enough to volunteer. For the next three Wednesdays, it will be an honor to have them as our guests.

First up is Mbali Mbatha, a Nollybooks author with a background in drama. She began writing novels at the age of 28 and is the mother of a four year old daughter.

Welcome! 🙂

You jumped at the chance to write for Nollybooks. In a newspaper article, you were quoted as saying, “I would have written for Nollybooks even if they were doing vampires and horror stories.” What inspired you to start writing?

I used to read a lot when I was growing up; and I did not realize it at the time that the urge to write was brewing inside me but in retrospect I believe that’s where the spark started because there I was  I was reading all the time and the next thing I knew; I was the one on the other end of the pen.

All Nollybook stories take place in South Africa. What must an author keep in mind when writing for a South African audience?

South Africa is very diverse culturally, which makes it difficult to cater for everyone. The belief systems, culture, individual choices as well as languages; are all of a very wide spectrum and I suppose a person has got to be tough skinned when writing for such a vast market. It sort of gives a new meaning to the saying “you can’t please everyone” so you have to be prepared for the fact that with the market being as broad as it is, you will be getting a million different types of responses. That’s not neccesarily a bad thing though, because it gives you a better understanding of your market’s expectations. Also, it opens your eyes to the fact that in trying to accommodate everyone, you don’t lose your own essence as a writer.

How autobiographical are your stories?

That’s a very uncomfortable question! Anyway, Thandeka Princess Shabangu is the name of my late best friend. the character in the book who loves writing but hasn’t got the proper training or experience is very personal for me, but sadly unlike the character in Working For the Enemy, I’m yet to find the Manual magazine in my own life. I suppose in a way Nollybooks is an opening towards that door for me; although it’s not a full time thing, it’s still a wonderful opportunity and just like the character in my novel I embrace it fully and hope that it’s received with just as much passion as I put into writing it.

How has your drama background influenced your writing?

In terms of my dramatic Arts work and training, I haven’t done any camera work. So when I was writing I used a lot of characterization. It was a bit funny though because I didn’t only characterize when writing, sometimes I’d actually act out my characters to ensure that my readers (as well as I myself) would be able to identify that the characters in Working For The Enemy are all different individuals.

What do you think makes your stories appealing to your readers?

Just the fact that South African readers are now allowed to enjoy romance stories from their own country; written by people that they can (hopefully) identify with. This is a first for us and I think it’s going to be really big because romance especially in Black families, is swept under the carpet, parents pretend as if their kids don’t date; and so this is going to be a platform in my openion, for South African young women to finally voice out EVERYTHING that they’ve always been dying to say about romance.

What are your writing goals? Would you mind telling us a bit about what you’re working on now?

I would love to run my own publication in the future. At the moment I’m trying to work on that. I’m collaborating with a friend of mine in terms of trying to set it up. She has the experience in terms of how to attain funding as well as marketing for what we are trying to do; I have leadership qualities, I’ve worked as assistant editor for a magazine previously, I’ve also done freelance work; which puts me in a position to run the creative side of things.

Thank you so much for visiting us today and telling us more about Nollybooks and your writing!

Mbali Mbatha was born in Soweto and grew up partly in Soweto and partly in a part of the country known as Kwazulu- Natal. Due to financial constraints, she unfortunately could not go to University after High School, which is how she ended up at Theatre school. Since then, she has been trying to get her big Media break, and has freelanced for magazines, newspapers, and has also worked in a radio newsroom. In addition to wanting to run her own publication, she would love to study law and qualify as an attorney.

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Finding Voice:

Making the Journey from Historical to Chick Lit to Young Adult

~ By Tera Lynn Childs

When I went to my first RWA national conference in Dallas in 2004, I went as Regency romance writer and a Golden Heart finalist. As much as I love historical romance, there was talk everywhere about the “death of the historical” (which I have since learned is a perpetual topic of discussion). Instead, everyone was excited about this hot new genre: Chick Lit.

“Oh my gosh,” I thought. “That sounds like fun. And the market is hot. I should write a chick lit book!” So I went home from that conference and wrote one. It was much easier to write than historicals (none of those pesky manners and forms of address and, you know, accuracy) and it was practically like writing my own life. Minus the hot guys, city living, and ridiculous situations. I wrote another chick lit book right away and, although both manuscripts were doing really well in contests and getting some agent interest, I quickly realized that the super-hot market was cooling off.

In the process of writing the second chick lit book, I started playing around with reality TV show titles (looking for a twist on Queer Eye for the Straight Guy) and ended up with a really fun title that I loved: Growing Up Godly. I immediately realized two things.

First, since I don’t write inspirational fiction, the “godly” part had to refer to something else. Because I’ve always loved Greek mythology, that was an easy answer. Second, if someone was “growing up” then that mean this had to be a YA book. From there it was a matter of coming up with a story to fit the title and eventually I ended up with Oh. My. Gods., my RITA-winning first book.

If writing chick lit was ten times easier than writing historical, writing YA was a million times easier. It was like the words just fell out of my head. That was how I knew that I’d found the genre I belonged in. I still love historicals and chick lit, but you’ll notice that my historical novel is unpublished and my chick lits have only found the light of day through self-publishing.

I don’t think the fate of my chick lit books has as much to do with the state of the market as it does with finding the best home for my writing voice. The best thing you can do for your writing career is to discover your voice, nurture it, and find it a good home in the right genre. So don’t let yourself be constrained by the market or what an agent or editor says on their blog or the whisperings about trends at conference. Find the story you have to write, even if it’s in a genre you never considered, and do your best to tell it well. Great things will follow.

Tera Lynn Childs is the RITA-winning author of Oh. My. Gods., Goddess Boot Camp, Forgive My Fins, Fins Are Forever (6/28/11), and a new trilogy about monster-hunting descendants of Medusa, starting with Sweet Venom (10/4/11). She also has two self-published chick lit romances, Eye Candy and Straight Stalk.

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